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|  by Vahé Berberian and Sevag Vrej.
A feature-length film script. A screwball comedy about a young man who finds himself lost in an identity crisis.The life of a young aspiring musician, Saro Avakian, is turned upside-down when his dying mother reveals the secret that his biological father is not the man who raised him, but is, in fact… |
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|  by Vahé Berberian
A feature-length film script. A witty, compelling story about a love triangle. Paulo, a middle-aged writer turned restaurateur, becomes suicidal after discovering his wife Jessica, a documentary filmmaker, is having an affair with Ara, the artist who is the subject of her documentary. “Words” is a candid, often funny glance at love, and infidelity as a source of inspiration. |
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|  by Vahé Berberian and Narbeh Nazarian.
A feature-length film script. A funny, yet gripping story of a production company's visit to Armenia to cast a 10 year-old child to star in their movie. |
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|  by Vahé Berberian and Ara Megerditchian.
Based on a Play by Vahé Berberian. Optioned by Magic Lantern Productions. A feature-length film script. A gripping, action-adventure fantasy. An allegorical tale about a man who believes he is descended from a long-lost race of extraordinary people. Convinced that he carries the scars of an eerily mysterious talent, he decides to investigate his ancestral line. |
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|  by Vahé Berberian
Optioned by Crack Sky Films. A feature-length film script. A slice-of-life comedy based on the experience of living in the Armenian community in Los Angeles. An entertaining and amusing story of a young man who finds himself in a heap of trouble at his sister’s wedding. |
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|  by Vahé Berberian and Leon Fermanian
A feature-length film script. A hilarious comedy about a movie star who trades roles with an Indian guru during the filming of a movie in India. |
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|  by Vahé Berberian and Ara Madzounian.
Published in 1987 An Argus Picture Production, produced in 1984. A script adapted from a play. Six Armenian actors rehearse for a play scheduled to open the following night, while outside their rehearsal hall, the sounds of artillery fire approaches ever closer. The intended piece the actors are rehearsing is an absurdist play that deals directly with the realities of Armenian life in Lebanon during the Civil War. "It is an impressive exercise in political theatre which also plays with the boundaries between theatre and life, much like Pirandello, Shakespeare or even Calderon for that matter". Read reviews of "Pink Elephant". |
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